Tag Archives: 6-string bass

Johnny Cox and Arun Maheswaran Jazz and Carnatic Music

Arun Maheswaran with Johnny Cox Mixing Jazz and Carnatic Music

In this video, Carnatic musician Arun Maheswaran is playing Mridangam and jazz musician Johnny Cox is playing his fretless Warwick Thumb SC 6-string bass guitar. Carnatic music is South Indian classical music. We’re playing a composition called Chasing Shadows by Anoushka Shankar.

Can You Mix Jazz and Carnatic Music?

Arun Maheswaran thinks you can. Arun studied Mridangam under his guru Shri K Anandandesan from the age of 10. In addition to performing and teaching the Mridangam, Arun also played the Ghatam and Udu Utar.

Recently Arun invited me to join his band Cosmic Rhythms. Which beautifully mixes Carnatic and jazz music. So, we took some time at a rehearsal to shoot this video together.

It’s been quite an education for me learning about Carnatic music. I’ve had to learn Korvai’s. A Korvai is a rhythmic phrase repeated three times in unison, each time the sub-divisions get smaller giving the impression of getting faster. Therefore, the Thalam or rhythmic structure doesn’t change. Also, Korvai’s are usually played at the end of solos or the final end of a piece.

A Koraipu is a call and response section, and as the Koraipu continues the phrases get shorter. Koraipu literally means reducing.

Why a fretless bass

The fretless bass is essential for combining Jazz and Carnatic music. The ability to bend pitches and slide between notes is essential to the phrasing in both jazz and Carnatic music. I’ve posted plenty of times about my fretless Warwick Thumb SC. I honestly believe that there isn’t a better fretless bass on the planet.

 

Johnny Cox & Lewis Davies – Bass and Drums Jam

Bass and Drums Jam Session

This is a video I shot with my friend Lewis Davies a few years ago. We spent the afternoon hanging out and having a jam at his studio. We recorded this to show what we came up with.

I took my Warwick “Steve Bailey” Artist Series bass and my Roland GR-55 over to my friend Lewis’ studio in South London during the summer of 2015. We spent the afternoon having a jam together and this is what we came up with. I hope you enjoy it.

Warwick Steve Bailey Artist Series Bass

You can find my video demo and written review of my 6-string Warwick Artist Series bass guitar by using this link.

https://johnnycoxmusic.com/warwick-artist-s…-bailey-6-string/

Roland GR-55 Synth Pedal

You can check out my video demos of the Roland GR-55 synth pedal along with the Roland GK-3B divided pickup by using this link.

https://johnnycoxmusic.com/roland-gr-55-war…tist-series-bass/

 

 

Johnny Cox & Siemy Di – Roland GR-55 Improvisation – Part 2

Jamming at Home Playing My Bass With a Roland GR-55 Guitar Synth

This is a video I shot at my house with my good friend Siemy Di. We didn’t prepare anything, we just turned on the camera and jammed. I’m using my Warwick “Steve Bailey” Artist Series Bass and a Roland GR-55.

Siemy Di and I have worked together since 2006 and we have a fantastic musical relationship. We were introduced when I was in my early twenties by a mentor, Lucky Ranku, leader of the African Jazz All-stars.

In the video I’m using my 6-string Warwick Artist Series Bass with a Roland GK-3B divided pickup that I installed by the bridge. I’m playing it through a Roland GR-55 guitar synth pedal. The pieces are entirely improvised.

Around the time this was filmed, Siemy Di and I were performing live regularly around East London at venues such as The Servant Jazz Quarters, The Vortex, Open The Gate and The Passing Clouds. The gigs were almost entirely improvised and we deliberately did very little preparation for each gig. Some performances were better than others but it was always great fun to play with a great musician like Siemy. This video captures a little taste of what those performances were like. Not perfect but always interesting.

Siemy Di and I are still close friends but we don’t do those gigs anymore. We both have young children now, so spending our evenings at jazz clubs is out of the question these days. Maybe one day in the future we’ll do something similar, although I imagine it will be quite different. This video captures a moment in time that was an important time for both musicians.

Check out Siemy Di’s Drumeo video here. I recorded all the bass and guitar parts for both the first and last pieces.

Johnny Cox and Siemy Di – Fretless Bass Improvisation

Jamming at Home with Siemy Di

This is a video I shot at my house with my good friend Siemy Di. We didn’t prepare anything, we just turned on the camera and jammed. I’m using my fretless Warwick Thumb SC and a loop pedal.

Siemy Di and I have worked together since 2006 and we have a fantastic musical relationship. We were introduced when I was in my early twenties by a mentor, Lucky Ranku, leader of the African Jazz All-stars.

In the video I’m using my 6-string Warwick Thumb SC and I’m playing it through a loop pedal. The piece is entirely improvised on the spot.

Around the time this was filmed, Siemy Di and I were performing live regularly around East London at venues such as The Servant Jazz Quarters, The Vortex, Open The Gate and The Passing Clouds. The gigs were almost entirely improvised and we deliberately did very little preparation for each gig. Some performances were better than others but it was always great fun to play with a great musician like Siemy. This video captures a little taste of what those performances were like. Not perfect but always interesting.

Siemy Di and I are still close friends but we don’t do those gigs anymore. We both have young children now, so spending our evenings at jazz clubs is out of the question these days. Maybe one day in the future we’ll do something similar, although I imagine it will be quite different. This video captures a moment in time that was an important time for both musicians.

Check out Siemy Di’s Drumeo video here. I recorded all the bass and guitar parts for both the first and last pieces.

Warwick Thumb SC Fretless with Warwick Hellborg Rig

Warwick Thumb SC Fretless

In this video, I’ll demonstrate my fretless Warwick Thumb Single Cut 6-string bass guitar. I’m playing one of my own compositions and the bass is being played through my Warwick Hellborg Amplifier rig, including the Hellborg preamp.

Why Fretless?

I’m a jazz musician at heart, so I love fretless bass guitars. My Warwick Thumb SC is now the only fretless bass I own, for the simple reason that it’s so good there was no point in keeping any of the others I’d owned previously. I owned two fretless basses before I purchased my Thumb SC and I sold them both on eBay within months of it arriving.

The tone of the bass is absolutely beautiful and the build quality and the quality of the wood are second to none. The body is made from Swamp Ash with a one inch Bubinga Pommele top. The neck is Flamed Maple and the fingerboard is Tigerstripe Ebony, which is a very hard wood, so even round wound strings won’t chew up the fingerboard.

It features full line inlays on the fretboard which is a custom shop option. All Warwick’s custom shop basses have their own page on their website. You can see mine by clicking on this link.

Johnny Cox’s Warwick Thumb SC 6

Why Fret Lines?

In my opinion, all fretless bass guitars should come with fret lines. I’ve never met anyone who has perfect intonation  without them. Really no one, and I’ve met many of the worlds best bassists. So, choosing not to have lines is just macho nonsense, there is no benefit to not having the lines. Jaco Pastorius had fret lines on his bass.

I’ve heard many people say, “double bass players don’t need lines on their fingerboards”. I know, and it’s not relevant because bass guitar necks are nothing like double bass necks. There are much more notes in a smaller space on a bass guitar neck which makes them almost impossible to hit accurately at high speed without markers. Also, double bass necks start narrow and get wider, so it’s much easier to feel where you are on the neck than it is on bass guitar.

In Conclusion

The Warwick Thumb SC is quite simply the best fretless bass I’ve ever played. In fact it’s the best bass I’ve ever played and that includes Fodera’s. It’s not cheap, but you get what you pay for. Don’t forget, if you want to go fretless, get the full line inlays.

Warwick Thumb SC fretless
Johnny Cox’s Warwick Thumb SC fretless

 

Roland GR-55 and a Warwick “Steve Bailey” Artist Series Bass

Using a Roland GR-55 Guitar Synth with a Bass

I always wanted to experiment with synth sounds on my bass. When the Roland GR-55 came out and the GK-3B divided pickup for 6-string bass. I knew I had to try it out.

This video is actually an effort from very early on in my Roland GR-55 use. However, when I listen to it now I really like it, and it’s proved popular on Youtube with nearly 20,000 views. That’s a lot for an instrumental bass video. All the sounds in the video apart from drums are made using the bass played through the Roland GR-55. I programmed the drums in Protools. You can make drum sounds with the bass and the Roland GR-55, but that doesn’t interest me so I didn’t.

For a long time I’ve wanted to try out playing my bass through a Roland guitar synth. And having looked at the Roland GR-55 I was convinced that the technology was good enough. So, I installed a Roland GK-3B divided MIDI pickup onto my new Warwick “Steve Bailey” Artist Series bass a few weeks ago and bought the GR-55. Here’s a video of what I’ve come up with so far, hopefully there will be plenty more from me using this in the near future. So far I’m extremely impressed with the potential of the GR-55 and I love the Warwick as well.

I hope you like my compositions and I hope you have as much fun watching this as I had making it!