Tag Archives: Sandberg California II TT6

Freedom Jazz Dance – Jazz Melody on 6-string Bass – Bass Practice Diary 149

Freedom Jazz Dance – Melody on 6-String Bass Guitar – Bass Practice Diary – 9th March 2021

Miles Smiles has been one of my favourite Miles Davis albums for a long time. The most famous composition on the album is probably Footprints by Wayne Shorter. Which is a minor blues that has become a staple of jazz jam sessions. Today, I’m looking at another track on that album Freedom Jazz Dance.

The Second Great Miles Davis Quintet

The Miles Davis band at that time (1966) contained four young musicians who would go on to become some of the most important figures in modern jazz. Herbie Hancock, Wayne Shorter and Tony Williams are all great composers as well as improvisors and band leaders. So, it was a little bit unusual for them to record a tune that was written by someone who wasn’t in the band.

Freedom Jazz Dance was written by a tenor saxophonist called Eddie Harris. He had recorded the tune himself a year earlier. When you listen to the Eddie Harris version of Freedom Jazz Dance, you quickly realise that the Miles Davis band has completely reconceptualised and recomposed the tune. Harris’ version is built on a funky groove between the bass and piano on a Bb7 chord. The melody is played in one continuous sequence with three phrases.

In Miles Davis’ version of the tune, the melody is broken down into the three phrases. They are separated by space to improvise for the rhythm section. Initially only by bass and drums. When the melody is repeated, Herbie Hancock begins to interject chord voicings. The Bb7 harmony from the original is retained, but the funky groove is gone and replaced by an altered dominant sound, and a much freer and more improvised approach to the groove.

Ron Carter

I think Ron Carter is one of the most important bass players in the history of jazz. He started his career as a classically trained cellist, who struggled to get work in touring orchestras at the time due to racist segregation laws in the Deep South. So, he made the switch to jazz double bass and became one of the most prolific musicians of the second half of the twentieth century. According to his wikipedia page, he has appeared on over 2,200 recording sessions, making him one of the most recorded musicians in history.

He still plays today at age 83 and I’ve been fortunate enough to see him perform live on a couple of occasions. The first time in 2003, when I was still a teenager, he was leading a quintet of much younger musicians. He had adopted the Miles Davis role as senior member mentoring the young talent. It was a truly memorable gig. I can still vividly remember the rendition of Flamenco Sketches that they played that night. It sent shivers down my spine. After that I saw him play one more time in a drummer-less jazz trio featuring guitarist Russell Malone and pianist Mulgrew Miller. It was musicianship of the highest caliber.

When I listen back to Miles Smiles, which I have been doing this week. It reminds me what an incredible musician he is. I think the partnership he shared with drummer Tony Williams was one of the most brilliant and innovative rhythm sections in jazz history. There are good reasons behind why the members of that band went on to become some of the biggest stars in modern jazz.

Why Learn a Jazz Tune on Bass?

I know some bass players might not agree, but I think it’s important to learn to play melodies. I think bass players are often guilty of only looking at the chords and not thinking much about the melody. This tune is a great demonstration of why that approach won’t always work. There is only one chord here, Bb7. If you only look at that, it doesn’t tell you anything about the composition. Only once you look at the melody will you understand the composition.

From a purely technical perspective, learning jazz melodies will also help to build your technique on bass. And it will also help you learn about jazz phrasing and vocabulary. I would suggest that anyone wanting to learn how to improvise in a jazz style, needs to learn as many jazz tunes as possible. Here is how I play the Freedom Jazz Dance melody on 6-string bass.

Freedom Jazz Dance on 6-String Bass
Freedom Jazz Dance on 6-String Bass

Sandberg “Superlight” 6-String Bass – California II TT6 SL

Sandberg “Superlight” 6-String Bass – California II TT6 SL – Lightweight Six String Bass

Update 13/01/2021 I have now spoken to Sandberg and the Sandberg distributer in the UK. I’ve learned that there are two more SL 6-string basses planned to be built. However, they are unlikely to be completed before Autumn 2021. Both basses will be sold by Bass Direct.

The answer to the question, “why did they only make one?” is that the body was cut by accident. Apparently, they had intended to cut a 6-string body from alder. The person cutting the body picked up the Paulownia by mistake. I believe that it was either Bass Direct themselves or the UK distributor that requested that the Paulownia body be made up into an SL 6-string bass.

I also found out that the Paulownia wood used by Sandberg is grown in Spain. It comes originally from South East Asia but it has been imported into Spain and it grows well there.

My Original Post

Here is my new Sandberg Superlight 6-String Bass. Currently the only one in existence, but keep checking this page to find out if and when there will be more. I’ve been trying to find a good lightweight 6-string bass for several years and I was very lucky to find this instrument. I came across it on the Bass Direct website. They are one of the UK’s official Sandberg dealers.

Sandberg SL basses

I did some research into Sandberg Superlight or SL basses when I first heard of them a couple of years ago. They are made in Germany. They make the bodies out of a very lightweight and strong wood called Paulownia. I stopped researching the basses because they only offered them as 4-string and 5-string basses. They still do only offer 4 and 5-string “Superlight” basses. But, every now and then I’ve been checking them online to see if there were plans for a 6-string version.

It was during one of these online searches that I came across Bass Direct offering a Sandberg California II TT6 “Superlight”. I Immediately started doing more research to find out when Sandberg had started making 6-string Superlight basses. But when I went on the Sandberg website, it said that the SL basses were only available in 4-string and 5-string. So, I emailed Bass Direct to try and find out what the story was, and apparently this is currently the only one.

I didn’t get a lot of information from Bass Direct, but what they said is that the 6-string Paulownia body was initially made by mistake. Having made the body they finished making the bass and offered it to Bass Direct. Apparently Bass Direct had suggested an SL 6-string previously. I have emailed Sandberg to ask for more info but I’ve received no reply yet. I will email them again with a link to the video and hopefully they will get back to me at some point.

Use Headphones

I’m sure that anyone visiting my website already knows this. There is a recurring problem if you run a YouTube channel for bass players. The problem is that most people watch YouTube videos while listening to the internal speakers in their phone/tablet/computer. And those speakers are very bad at reproducing low frequency sound. So, when I produce a video, I have to decide if I’m going to EQ out most of the low end. If I don’t do that, then the sound will either distort when most people listen to it, or it will just sound very quiet.

The problem is worst when I’m trying to demonstrate a product, like today. There’s no point in me saying “here is what it sounds like when I boost the bass” and then EQing out the bass afterwards so I can push up the levels. So the sound of the bass in this video is almost completely unedited. I haven’t compressed it or EQ’d it for the benefit of phone speakers.

The moral of this story is that if you want to hear the low end, use headphones or a good speaker. This is particularly true of todays video. I always test my videos by listening to them on different devices before I upload them. I know that some of this is inaudible on small speakers. If I push up the levels it will distort badly. The only solution would be to EQ out the bass which would defeat the point of the video. So I have left the audio alone. Use headphones.

Find a video about my Overwater Hollowbody 6-String Bass here.