Tag Archives: Lewis Davies

Improve Your Time Feel by Practicing with Drums – Bass Practice Diary 26

Improve Your Time Feel by Practicing with a Drummer or Drum Beat- Bass Practice Diary – 16th October 2018

In my book Electric Bass: Improve Your Groove there’s an entire chapter about playing with drummers. If you want to improve your timing and your time feel on bass, then practising subdivisions with a drummer is a great way to go about it. Here’s a video featuring my good friend Lewis Davies on drums to show you how I do it.

Understanding time feel and groove

It’s important to understand that a band grooves and not just an individual. So, if you want to improve your groove, it’s essential to practice with other musicians and not just on your own. The best place to start is by practicing with a drummer. Practice placing your notes accurately on the subdivisions that the drummer plays, and you will begin to develop the collective time feel  that you need for a band to groove.

It’s important to understand that virtually all music uses just a small number of subdivisions. Eighth note, sixteenth note, and triplet feels occur in virtually all styles and genres of music. If you want to have a great time feel on bass, it’s essential to not only understand them, but also to be able to execute playing them accurately. That is the premise of my book Improve Your Groove.

This post is not so much about understanding them, but more about how to play them better. If you want to understand subdivisions better, you could buy the book, or you could check out this post called Rhythmic Subdivisions on Bass Guitar.

Eighth note bass lines

When I talk about an eighth note feel, what I mean is that eighth notes are the smallest subdivision in the bassline. Therefore, in order to make the bassline groove you must feel the eighth notes running through the music. All of the eighth notes, not just the ones that you play on.

Here are the two eighth note bass lines that are featured in the video.

Ex 5d Time Feel
Ex 5d Eighth Note Example from Electric Bass: Improve Your Groove
Ex 5f Time Feel
Ex 5f Syncopated Eighth Note Example from Improve Your Groove

Triplets and shuffle feel

When you play a shuffle feel, the smallest subdivision is a triplet. Typically in a shuffle, you create a different kind of off-beat to the straight eighth note feel, by playing just the first and third triplet subdivisions in each beat. As I explained in the video, if you recite Ta-Ki-Ta for your triplets, and only play on the two Ta syllables, you get a shuffle feel.

This shuffle bass line is fairly advanced and it adds a few passing notes on the second subdivisions. But, it still retains the feel of a shuffle and Lewis is playing a shuffle on the drums.

Triplet/shuffle subdivisions
Ex 3g Shuffle Feel Example from Improve Your Groove

The following example shows how you can change the feel whilst still using a triplet subdivision by accenting the second subdivision.

Ex 3n Time Feel
Ex 3n Altered Shuffle Feel Example from Improve Your Groove

Sixteenth note feel

It’s important to understand that a sixteenth note feel does not necessarily mean that you have to play more or faster just because there are more subdivisions. It just means that in order to get the feel right, you need to feel the sixteenth notes in the music, Ta-Ka-Di-Mi.

Here is an example of a bassline with a sixteenth note feel that doesn’t contain lots of notes or any fast passages.

Ex 5r time feel
Ex 5r Sixteenth Note Feel Example from Improve Your Groove

For me, the most interesting aspect of a sixteenth note feel is the expanded rhythmic potential that sixteen subdivisions in each bar offers. Which is why we bass players love to improvise bass lines with a sixteenth note feel. There are so many potential rhythmic variations out there. And as long as you accurately place the notes onto the subdivisions, then you can’t really go wrong.

Here is an example of a more advanced, syncopated sixteenth note bass groove.

Ex 2n time feel
Ex 2n Syncopated Sixteenth Note Feel Example from Improve Your Groove

Grooving with the drums

All you need to do is make sure that your notes land on the drummers subdivisions. If you can’t practice with a real drummer, then practice with a drum beat backing track. But there’s no substitute for the real thing if you can find a drummer to practice with.

It’s always a good idea to record yourself if you can, and listen back. It doesn’t have to be amazing sound quality, just enough so you can hear how accurately you’re placing your notes. And don’t worry if you feel like you’re not very good. Learn together with a drummer and improve together over time. Lewis and I have been playing together since we were teenagers. And I think we’ve learned a lot both together and separately since then.

Bass and Drums – Playing a Bass Ostinato for a Drum Solo – Bass Practice Diary 21

Playing a Bass Ostinato for a Drum Solo – Bass Practice Diary – 11th September 2018

This week I visited my good friend Lewis Davies at his studio in South London. We spent the afternoon practising, just bass and drums. At the end I shot some videos to show what we were working on. One of the things we practised was playing a bass ostinato through a drum solo.

What’s an Ostinato

An ostinato is simply a repeating musical phrase, a bit like a riff. The purpose of playing an ostinato on the bass in this situation, is to hold down a groove while the drummer plays a solo.

The biggest problem with playing solos on either bass or drums, is that it breaks up the groove between the bass and drums. The purpose of the bass ostinato in this situation is for the bass player to take full responsibility for the groove so that the drummer can play a solo without it feeling as if the groove has been lost.

It’s a very high pressure situation for a bass player. The performance entirely depends on your timing and ability to keep the groove going against the potential distractions of a pyrotechnic drum solo. I remember as a young bass player being put in that situation on stage without having practised it. And I found it very uncomfortable. It’s very easy to rely too much on the drummer for the groove when you’re on stage.

Billy Cobham

A lot of drummers like to solo in this way. The composer and jazz musician Billy Cobham is just such a drummer. He writes and arranges his own compositions. So, he writes the kind of bass ostinatos that he wants to play over. I’ve always enjoyed playing Billy Cobham’s bass lines and in many of his arrangements it’s not only the bass player that plays the ostinatos.

The bass ostinato we play at the end of the video is from Billy Cobham’s classic composition Stratus which originally featured on his seminal jazz fusion album Spectrum.

Lewis Davies

Lewis is a good friend of mine and a multi talented man. He’s a music teacher, musician and he makes extremely high quality custom guitars. We met at music college when we were both in our late teens. And we’ve played, performed and practiced together a lot over the years.

Stay tuned for some more videos from our practice session in the next few weeks. And for now you can also check out this video we made together at a similar practice session a couple of years ago.

 

Johnny Cox & Lewis Davies – Bass and Drums Jam

Bass and Drums Jam Session

This is a video I shot with my friend Lewis Davies a few years ago. We spent the afternoon hanging out and having a jam at his studio. We recorded this to show what we came up with.

I took my Warwick “Steve Bailey” Artist Series bass and my Roland GR-55 over to my friend Lewis’ studio in South London during the summer of 2015. We spent the afternoon having a jam together and this is what we came up with. I hope you enjoy it.

Warwick Steve Bailey Artist Series Bass

You can find my video demo and written review of my 6-string Warwick Artist Series bass guitar by using this link.

https://johnnycoxmusic.com/warwick-artist-s…-bailey-6-string/

Roland GR-55 Synth Pedal

You can check out my video demos of the Roland GR-55 synth pedal along with the Roland GK-3B divided pickup by using this link.

https://johnnycoxmusic.com/roland-gr-55-war…tist-series-bass/