Sire Marcus Miller V7 vs Warwick Rockbass Infinity – Bass Practice Diary – 1st December 2020
Sire created a sensation in the bass world when they released their Marcus Miller basses a few years ago. They are great sounding basses sold at an amazingly competitive price. However, while they are really good basses, I’ve often thought that Sire were not the first company to come out with high quality instruments for a budget. If you follow my videos, you know that I’ve been playing Warwick basses for many years. So, I’ve long thought of doing a comparison between Warwick’s more budget friendly Rockbass instruments and Sire’s Marcus Miller basses.
Sire vs Warwick
If I’m being completely honest, this video is just a bit of fun. It’s not a particularly scientific comparison. The basses had different strings at the time of recording. The Sire was strung up with some nice new Overwater bass strings whereas the Warwick had a very cheap set of Warwick Red Label strings.
The pickup configuration is obviously different as well. With the Sire, I’m using both pickups in the video, but with the Warwick I’m only using the single coil pickup at the front.
However, I should say that both of these basses were a very similar price point when I bought them. Less than £500 at full price in the UK. The new Warwick Rockbass Infinity basses are being sold for considerably more. They’ve given the model a makeover in 2020 with a flamed maple top, but my one is the more simple looking 2018 model. There are Warwick Rockbass models in 2020 that can still rival the Sire V7 for affordability. You probably need to look at something like a Corvette or a Streamer.
If you want to see a proper comparison of Sire and Warwick Rockbass and what they both offer for the price, then let me know by leaving a comment on the YouTube video. If enough people want a detailed comparison, then I’ll do it.
Fretless Bass Jam/Improv on My Sire M7 5-String Bass – Bass Practice Diary – 20th October 2020
I haven’t featured this Sire Marcus Miller M7 5-String fretless bass in a video since I first got it and reviewed it last year. In that review I mentioned that I liked the sound and playability of the bass, but I’d had some issues with it. So, I’ll use this post to update you on how I’ve got along with the bass, one year later.
Before I talk about the bass, I’ll just quickly tell you about the music in the video. I like to jam with myself at home. Meaning record an improvised bassline and then play over it. Let’s face it, it’ll be a while before I get to jam with any other musicians. Lockdown restrictions have been tightened once again in London and I don’t think it will let up over the winter. So I might as well jam alone.
The bassline was a one take improvised line. I was just improvising bass grooves in 7/8 time signature. I was playing along with the little clave ostinato that you hear at the beginning. The rest of the drums were added after the bass parts.
For the improvised solo parts, I did five complete takes. With each take I got gradually more used to playing along with the bassline I’d improvised. The take in the video is number five. The only composed element is the little harmonised melody section. I added that afterwards as I felt it needed some kind of recognisable melody.
The bass sounds good and it plays well. And you could certainly argue that, that’s all a musical instrument needs to do. I’m inclined to think that way myself, and I do like this bass.
Having said that, as much as I enjoy playing this bass, it has turned out to be the most unreliable instrument that I’ve ever owned in terms of holding it’s setup. I made a video, alongside my review, demonstrating how I initially set the bass up. I needed to do it because the setup was a mess when I first got the bass, which in hindsight was a red flag.
Sire Marcus Miller M7 5-String Fretless, One Year Later!
In the year that’s passed, I’ve needed to set the bass up three times. Setups are susceptible to changes in atmospheric conditions, and changes in seasons often necessitate minor changes to setup and intonation.
The bass arrived in the autumn in the UK having come via Germany. It was built in Indonesia. So it’s fair to say it had experienced a few changes in atmosphere before I ever took it out the box. This partly explains the poor condition of the setup when the bass was new. By the time we arrived at spring this year and the weather started warming up, the action completely changed, and then again recently as we move into autumn again.
Moving from dry and hot to wet and cold seems to really mess this bass up. If you think this is normal, then I’m not explaining the scale of the problem very well. I own a lot of instruments and while some of them experience small changes as the seasons go by, this bass is ten times worse than anything I’ve experienced before.
I’ve been unlucky with this bass, I don’t for a moment think that this is true of all Sire M7 basses. I don’t know what it is about this particular one, maybe there’s a problem or a fault with the truss rod. I own enough Sire instruments to know that the setups are fairly stable on most of their instruments.
I’m used to doing the setups now. I can get the bass back to where I want it in under 20 minutes. However, I feel like I can’t ever sell the bass. Or if I do, I must sell it to someone who really understands what they’re taking on. On the other hand, as much as the setup issue is annoying, I always forgive the bass when I start playing it. Because it plays and sounds really good.
Altered Pentatonic Jazz Lick on Fretless Bass – Bass Practice Diary – 2nd June 2020
Last week I featured a pentatonic scale that you can create by altering just one note in a standard major or minor pentatonic scale. This week I’ve put that altered pentatonic scale into practice. I’ve come up with a jazz lick on fretless bass that features both the standard and altered versions of the pentatonic scale.
I’ve composed the line on a II-V-I-IV progression in the key of C major. I choose to use the IV chord rather than the more common VI7 chord in order to feature two different pentatonic approaches to playing on major 7th chords. On the Cmaj7 chord I’ve played an E minor pentatonic scale. It gives me the 3rd, 5th, 6th, 7th and 9th relative to the root note of the chord. On the Fmaj7 chord, I’ve used the altered version of the scale to create a lydian augmented sound. The notes are E, F, A, B & C#, 7th, root, 3rd, #4th, #5th relative to the F root note. It’s like an F# minor pentatonic scale, with an F natural root note instead of F#. It’s a sound that I featured in last week’s video.
On the II chord I’m using the obvious D minor pentatonic scale. I like to start my jazz lines inside the harmony and then take them outside. The altered version of the pentatonic scale does a really good job of spelling out the sound of an altered dominant chord. It helps me bring in some of those outside notes on the G7 chord V. The notes are G, Bb, B, Eb & F, which is root, #9, 3rd, b13 &7th. It’s like the notes an altered dominant arpeggio. You can think of it as C minor pentatonic scale with the root note lowered by a semitone to B.
Bright Size Life on Fretless Bass and Guitar – Bass Practice Diary – 14th January 2020
One of my favourite albums is Bright Size Life by Pat Metheny. It was not only Metheny’s debut album as a band leader but it was also one of the earliest recordings of Jaco Pastorius. Pastorius went on to become arguably the most influential electric bass player of the 20th century, and Bright Size Life features some of his best jazz work. Metheny and Pastorius together on this album are two young jazz genius’ working together in the very stripped down context of a trio with drummer Bob Moses.
The album features some of the best guitar and bass arrangements ever heard in the history of jazz and the title track is one of my personal favourites. This week I was reading through transcriptions of both Metheny’s and Jaco’s parts and I’ve tried to put them together. Admittedly, my playing in this video doesn’t live up to the genius of these two legends, but I was having fun so I put the camera on anyway. I hope you enjoy it.
Sire Marcus Miller V7 Vintage Fretless
The bass I’m using is a fretless Sire Marcus Miller V7 Vintage. I’ve done a video about the Sire V7’s before, and I think they’re brilliant. But I haven’t yet done a video about this fretless Vintage version. The thing with this Vintage version is that it’s clearly based on a 70’s fretless Fender Jazz Bass. So, even though it has Marcus Miller’s name on it, it makes me think of Jaco Pastorius.
Sire Marcus Miller V7 4-String or 5-String? – Bass Practice Diary – 3rd December 2019
I’d like to do a review of the Sire Marcus Miller V7, because it’s a really good bass. I’ve already reviewed the Sire Marcus Miller M7 fretless 5-string. The only problem is that so many people have already reviewed the V7. I don’t want to just repeat what other people have already said, I try to make a point with my videos of always coming up with something a bit different from what’s already out there. Otherwise what’s the point in doing them.
So the question that I’m going to try to answer is, 4-string or 5-string? If you buy just one Sire Marcus Miller bass, I would recommend that you buy a V7. But, should you get the 4-string version or the 5-string version? Logically they should be identical apart from the number of strings, so does it make much difference if you go for the 4 or the 5? I think it does and I’m going to explain why.
What has everyone been saying about the V7?
The reviews that I’ve seen of the V7 seem to all pretty much say the same things. Sire have used high quality materials, meaning woods, hardware and even a bone nut. They have an excellent onboard preamp, they sound great, they have a low action which makes them extremely easy to play. And all for a price that is amazingly low given the quality of the instrument.
I’m not going to disagree with any of that. I would even add to it the fact that the bass sounds great without the preamp. When I first played one of these out the box, and it wasn’t yet hooked up to an amplifier, I could hear that it was a great sounding bass even without plugging it in.
It has an active/passive switch that turns the preamp on and off. It sounds great in passive mode with the preamp switched off. So I’m not sure how much it even needs the preamp. But having the preamp on the bass is definitely an added bonus.
The few minor negative comments that I’ve heard about the V7 include the fact that it’s a bit heavy. That hasn’t been a problem for me at all. I play Warwick basses which tend to be very heavy and the V7 feels relatively light in comparison. Maybe for someone who is used to playing Fender basses, the V7 might feel heavy.
Sire Basses Setup and Quality Control
I feel I should address the issue of quality control, because not all of the Sire basses are set up perfectly when you get them out the box. I’ve played four Sire basses brand new straight out of the box. Only one of them was set up exactly as it should be. Two of them, the two V7s featured in this video had very minor setup issues that were very quickly fixed. And I experienced big setup problems with the M7 bass.
I honestly don’t see that as a problem. Basses at this price are not meant to be perfect. For every bass to come out of the factory set up perfectly, Sire would need to pay luthiers to meticulously check every detail on every instrument. If they did that, the basses would be much more expensive. Personally, I would much rather they kept the price as low as possible, and I’ll sort out any issues with the setup myself.
I should start by saying that both basses in the video are identical models. They both have alder bodies. So the only difference between them, apart from the colour, is the addition of a low B-string on the five string version. So, my first question is, is the B-string on the 5-string as good as the other four strings?
It’s an important question, because it’s really hard to get a low B-string to sound good. On almost any 5 or 6-string bass, the tension on the B-string is less than the tension on the other four strings. That can often cause the B-string to sound weak in comparison to the other strings. I’ve played plenty of 5-string basses where the low B-string sounded so bad that I just didn’t want to use it.
So, how is the low B-string on the 5-string V7? It’s pretty good, which is actually a problem because the other 4-strings sound great, and the B-string only sounds good.
It’s definitely a better low B-string than many of the 5-string basses I’ve played. When you play it on it’s own, it sounds fine, but it just doesn’t sound as good as the rest of the instrument.
It’s probably the one area where the M7 beats the V7. The 5-string M7 has an extra inch in the scale length of the 5-string version, and that helps to even out the tone with the other strings.
One other issue I have with the 5-string V7 is the string spacing. The strings have a narrower spacing than on the 4-string. I know that this is something that a lot of bass manufacturers do, including Fender. But I wish they wouldn’t. 20mm is a standard string spacing for a 4-string bass. The V7 is a Fender Jazz style bass, and the only J style 5-string basses that I’ve ever played and loved, had a 20mm string spacing. When I try to play Marcus Miller thumb and pluck style bass lines with the slightly narrower string spacing, I find it harder to do.
I think the Sire Marcus Miller V7 is a brilliant bass. I really love playing the 4-string version. The 5-string version is good too, but every time I pick it up, I find myself wanting to put it down and pick up the 4-string version instead. So, if you’re planning to buy just one Sire Marcus Miller bass, and you want my advice about which one to get, then I’m going for the 4-string V7.
The 4-string version makes perfect sense. Because it’s clearly based upon Marcus Miller’s own modified Fender Jazz Bass. Marcus Miller doesn’t play 5-string basses, and I can see why, because his style doesn’t suit a 5-string bass. He does sometimes play his bass with the E-string tuned down to a D, as I demonstrated in the video. And that also works well with the V7 4-string bass.
However, I feel like I should conclude by acknowledging that I’m in the fortunate position of having basses with really good low B strings. So I don’t actually need a 5-string V7. If you’re in the position where you need a 5-string bass, and you’re thinking of the V7 as an option. You probably won’t find many better 5-string basses at this price.
A Marcus Miller tune with Sire Marcus Miller Basses – V7 & M7 – Bass Practice Diary – 5th November 2019
Recently I’ve been trying out some Sire basses. You may have already seen my review of the M7 fretless 5-string bass that I released last week. And I’ll be following up with a review of the V7 4-string and 5-string versions in the coming weeks. But, it struck me this week, that what a lot of people will want to know is, can you make them sound like Marcus Miller? In an attempt to answer, I’ve recorded one of his tunes, Amandla from the album of the same name.
Do the M7 and V7 sound like Marcus Miller basses?
Yes and no… Yes for the V7 and no for the M7. Not that the M7 is a bad bass. It’s a nice sounding fretless bass, as I covered in my review last week, but it’s a very different style of bass to anything I’ve ever seen Marcus Miller play. The V7, on the other hand, is very much a Marcus Miller style of bass. It’s essentially a Fender Jazz style bass with an active preamp.
I should point out that my style of playing the bass is very different to his, and the basses that I usually play are very different to those that he plays. I love Marcus Miller as both a composer and a musician, but I’ve never tried to imitate his sound before.
So, when you listen to the V7 bass in the video, you should bare in mind that it’s being played by someone who is trying to imitate a playing style that he almost never plays on a style of bass that he very rarely uses. And with that in mind, I’m quite surprised how much the bass tone does remind me of Marcus Miller. I don’t think I’ve ever played a bass before that was so easy to get that kind of tone out of.
Tutu and Amandla
So, the tune in the video is called Amandla, and it’s one of my favourite Marcus Miller compositions. It’s also a great tune for demonstrating these basses, because the original version includes both fretted and fretless basses and both finger style and slap techniques. So it covers a wide range of Marcus’ tones and techniques.
Marcus Miller wrote and produced two albums in the 1980s for the jazz trumpeter Miles Davis, called Tutu and Amandla. He played bass on other Miles Davis albums, but those two were really his albums. Tutu is more well known. It’s probably Miles Davis’ most well known album from the last period of his career. I certainly remember listening to it a lot when I was in my teens. But as the years have gone by, I’ve grown to love the album Amandla more and more. It contains a few of my favourite Marcus Miller compositions including the title track.
If you don’t know them already, I would highly recommend checking out both albums. Many people see Tutu as a Marcus Miller album with Miles Davis on trumpet, even though it’s Miles Davis’ name and face on the cover. But Amandla feels more like a collaboration because there’s more input from Miles’ band. Which at that time included the brilliant improvisers Kenny Garret and Joseph “Foley” McCreary.
Sire Marcus Miller M7 fretless 5 string bass guitar review – Bass Practice Diary – 29th October 2019
Here’s my review of the Sire Marcus Miller M7 fretless 5 string bass. I’m sure most of you have probably heard about the so-called Sire Revolution by now. A relatively unknown Korean company called Sire created seismic waves in the bass community when they secured the endorsement of Marcus Miller. A legendary bass player, who had previously been associated with playing the same Fender Jazz Bass since he bought it in the 1970’s. And nobody had ever really seen him play anything other than a Fender bass.
Are Sire Basses as good as people are saying?
So, I had to see for myself what it was that convinced this bass legend to put his name to this selection of affordable instruments. I’ve been trying out some V7 and M7 basses, fretted, fretless, 4-string and 5-string. And this week I’m starting this week with the Sire Marcus Miller M7.
The basses are made in Indonesia. And the idea is that Sire are trying to produce professional quality instruments for an affordable price. And all the reviews that I’d read prior to trying these instruments out, suggested that they’d succeeded.
What are the best affordable bass guitars?
For me, as a bass teacher, I’m constantly being asked to advise people on what are the best basses to buy on a budget. So, there is a really important reason why I wanted to try out these Sire basses. If you follow my videos regularly, you’ll know that I play Warwick basses. Warwick make outstanding high quality instruments in Germany. But they also make a more affordable line of instruments in China which they call Rockbass. I’ve always been happy to recommend these to students looking for an affordable instrument as they’re excellent basses for the money.
However, the prices have been going up a lot in recent years. And the cheapest Sire basses are now available for less than the cheapest Warwick Rockbass basses. So I need to know if they’re a viable option to recommend to my bass students looking for quality on a budget.
And I have to say that I’ve been impressed with these nice sounding, easy to play basses. Especially with the V7 model, which is closely modelled on Marcus Miller’s style of Fender Jazz Bass. I’ll be doing a separate review of the V7’s soon. But this week I wanted to start by reviewing the M7, which as you can see, caused me a few problems when it first arrived.
The setup on the M7
I will be doing a whole other video on how I set up this bass. Because It would have been too much to include in this video. But I had to do a complete setup before I could play the bass because the setup was an absolute mess when I got it out the box. The worst I’ve seen on a brand new bass.
Sire set up their basses with a very low action. As far as I know, this was a request by Marcus Miller. He wants people to experience the basses set up the way that he likes to play. But, for a bass manufacturer to set their basses with a very low action is a huge gamble, which won’t always pay off. I really wonder how many basses have been sent back because the setup was so bad.
The problem is, that if you set up your bass with a low action, then you must expect to have to re-set it up every now and then. Because, as seasons and atmospheric conditions change, so will your bass setup. And a low action can very quickly become unplayable when the strings start hitting the frets.
Are Sire basses good for beginners?
This is fine for an experienced bass player who has set up basses before. But, as Sire are targeting the budget end of the market as well, then they will be selling basses to people who won’t necessarily know how to set them up. And they don’t provide any kind of instructions with the basses. So, I imagine that a few of these have probably been sent back by people frustrated that their strings keep buzzing.
The setups on the V7’s that I played weren’t as bad as the M7. But there were still little issues that I had to fix. All of which were caused by a low action. And I know that if I ever recommend one of these basses to one of my students, then I’ll have to offer to set it up for them if the setup is a mess when it arrives.
For this reason, they might not be ideal for complete beginners, unless they have a teacher who can sort out any setup issues.
It’s a good bass. It sounds good and it plays well, and it has a powerful low B string. The setup issues weren’t enough to put me off from liking this bass. I’ve had lots of fun playing it since I set it up.
I should point out, that in the process of setting it up, I also changed the strings. The bass comes with flat wound strings. Which again, I assume is at the request of Marcus Miller. But I much prefer the sound of round wounds on fretless. So that is the sound you hear in the video.
Sire Marcus Miller M7 vs V7
The biggest criticism that I would level at this bass, is that it just isn’t as good as the Sire Marcus Miller V7. The V7 is a proper Marcus Miller style of bass and the M7 just isn’t. The M7 is also slightly more expensive than the V7, which I find odd, because it isn’t as good.
Why is the V7 better? Because it sounds better. It sounds like a proper Marcus Miller style Fender Jazz Bass. The M7 sounds good when the preamp is switched on. But the V7 has the same preamp, and the V7 sounds good without the preamp as well. To be honest, the V7 sounds good even when it’s not plugged in. I’m serious! You can usually tell if a bass will sound good by playing it without an amplifier. No matter how good your electronics are, they won’t rescue the sound of a bad sounding bass. Now, I’m not saying the M7 is a bad sounding bass. It just doesn’t sound as good as the V7.
The only advantages that I can see for the M7 over the V7 are, that it has more frets. 24 on the M7, 20 on the V7. And it has a better low B string on the 5 string version. Because the M7 5-string has a 35 inch scale, whereas the V7 5-string has a 34 inch scale. That extra inch tightens up the low B-string a bit. So, if I have a student who wants to use the extra range both high and low, then I might recommend the M7. But, more often than not, I’d be much more likely to recommend the 4-string V7.