Tag Archives: exercises for bass guitar

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Cascading Arpeggios Exercises – Bass Practice Diary 145

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Cascading Arpeggios Exercises for Bass Guitar – Bass Practice Diary – 9th February 2021

You probably have an idea in your head of what cascading arpeggios sound like, even though it isn’t a particularly technical musical term. I think that music journalists and writers often use the term more than musicians do. It gets used as a descriptive term in any number of different musical contexts. From classical music to guitar solos.

What are cascading arpeggios?

Usually they are either fast or repetitive descending arpeggios. It’s a very popular melodic device. And they also get used as a way of playing chords under a melody. In theory you could apply this idea to any arpeggio. In this video I’ve only used diatonic 7th chord arpeggios as an example. So, here are the four different inversions of a descending C major 7th arpeggio.

Descending C major 7th arpeggio inversions

You can create an exercise by taking each of these inversions down through all of the diatonic arpeggios in the key of C major. I’ve done the first one of these in the video.

Cascading Arpeggios - Diatonic 7th Chords in the Key of C Major
Exercise 1 – Cascading Arpeggios – Diatonic 7th Chords in the Key of C Major

An alternative way of playing this is to move each arpeggio down the neck of the bass. Position shifting every time you start a new arpeggio. This is harder for the left hand.

Exercise 2 – Cascading Arpeggios in the Key of C Major with Position Shifts

I would strongly recommend practicing these both ways. Exercise 1 is easier to play, and it’s ok to play in one position like that. However, it also helps if you can shift positions smoothly. If you can’t, you’ll get stuck playing everything in just one place on the neck.

The final example that I featured in the video starts on an E7 chord and it uses the diatonic arpeggios in the key of A major. The inversion starts on the 5th, B in the case of the E7 chord.

Exercise 3 – Cascading Arpeggios – Diatonic 7th Chords in the Key of A Major
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5-String Bass Exercises with – Bass Practice Diary 127

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5-String Bass Exercises – Three Exercises with Five String Bass TAB – Bass Practice Diary – 29th September 2020

Here are three exercises that you can use on 5-string bass. These are typical of the kind of exercises that I play when I’m adjusting to playing a 5-string bass, especially if I haven’t played one for a while. If you follow my Bass Practice Diary videos regularly, then you know that I play 4-string and 6-string basses a lot. It’s easy to trip up on a 5-string bass when you’ve grown accustomed to playing four or six. A few exercises like this, when you start, will really help you to get used to the feel and the range of the instrument. Even if you always play 5-string bass, and you’re looking to improve your fluency around the fretboard. These kind of exercises are great for that too.

Exercise 1: Playing Across All Five Strings

In this first exercise, I’m simply thinking about arpeggiating two chords. Dm7 and A7(b9).

5-string bass exercise 1 - Dm7 - A7b9 arpeggios
5-string bass exercise 1 – Dm7 – A7b9 arpeggios

The exercise starts by going up the notes of a D minor 7 arpeggio. Then it comes down on the A7(b9). I’m relying heavily on the notes of a C#dim7 arpeggio for the A7(b9) chord. The notes C#, E, G and A# are the 3rd, 5th, 7th and b9th of the A7 chord. In the second bar I’ve substituted an Fmaj7 arpeggio for the Dm7 chord. The notes of the F major chord are the 3rd, 5th, 7th and 9th of the Dm7 chord.

Exercise 2: Using the Entire Range of the Bass

In the second exercise, I’m simply playing a C major scale over the entire range of my 5-string bass neck.

5-string bass exercise 2 - Notes in the key of C major
5-string bass exercise 2 – Notes in the key of C major

This is such a fundamental exercise on any instrument. I don’t think of it as playing a C major scale. I think of it as learning the notes in the key of C major. The whole of Western harmony is built around this key. You can think of it as learning all the white notes on a piano, but really it’s just learning where the notes A, B, C, D, E, F & G are. If you know where they are then you can easily work out where the sharps (#) and flats (b) are. And then you know where every note on your bass is.

Exercise 3: Playing a Bass Groove Using the Low B-string

The final exercise is a bass groove.

5-string bass exercise 3 - Using a low Eb in a bass groove in C minor
5-string bass exercise 3 – Using a low Eb in a bass groove in C minor

If anyone says that, “a bass groove isn’t an exercise, it’s music”, then I think that they need to re-think the way that they practice. To me, every piece of music that I play is an exercise, or at least it can be if I think about it in the right way. Exercises exist to help us play music, if there is a disconnect in your mind between the exercises you play and the music you play, then you’ve missed the point. Every exercise that I play is related to something that I have to use in real musical situations. I understand the relationship between the exercise and the practical application of it. In this particular exercise/groove, I’m working on playing a low Eb on the 4th fret of the B-string, whilst playing in the key of C minor. It’s tricky note to hit and it’s hard to make it sound good!

If you’re looking for some more bass practice exercises, why not try my slap bass timing exercises in this video.

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Diatonic 7th Arpeggios in C major – Bass Practice Diary 95

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Diatonic 7th Arpeggios in C major – Bass Practice Diary – 11th February 2020

In this video I’m playing all the diatonic 7th arpeggios in the key of C major on my 6-string bass. Exercises like this are ideal for learning how to play in any key, in any position on the fretboard. C major is the easiest key to demonstrate this in, because it has no sharps or flats. However, once you can do this in C major, it’s easy to transpose into other keys. And you should practice it in different keys.

What are diatonic 7th arpeggios?

Diatonic 7th arpeggios is just a fancy name for a simple idea. 7th chords are chords with four notes, root, 3rd, 5th and 7th. Diatonic 7th chords, just means all of the 7th chords you find in a particular key, like C major in this example. And these arpeggios are just those chords played one note at a time.

Chord I in the key of C major is Cmaj7, which includes the notes C (root), E (3rd), G (5th) and B (7th). You build these arpeggios by taking alternate notes of the C major scale, 1, 3, 5 & 7. Chord II is formed by taking the 2nd (D), 4th (F), 6th (A) and 8th (C) notes of the C major scale. These four notes create a Dm7 chord, and the pattern carries on for the remaining 5 chords in the key of C major, which are Em7, Fmaj7, G7, Am7 & Bm7b5.

Diatonic 7th Arpeggios in the Key of C Major
Diatonic 7th Arpeggios in the Key of C Major

I’ve arranged the arpeggios with the 7th as the first note, rather than the root. I’m only doing this because I like the way it sounds. And there’s no rule that says you must always play arpeggios starting on the root note.

Find my guide to playing minor scales on bass guitar in this video.