Warwick Thumb SC Fretless
In this video, I’m jamming with myself at home using my fretless Warwick Thumb Single Cut 6-string bass guitar. I’m improvising on the spot and the bass is being played through my Warwick Hellborg Amplifier rig, including the Hellborg preamp.
Here’s a video I made with my Warwick Thumb SC Fretless, it’s such a beautiful sounding bass and I just love to play it.
I’m a jazz musician at heart, so I love fretless bass guitars. My Warwick Thumb SC is now the only fretless bass I own, for the simple reason that it’s so good there was no point in keeping any of the others I’d owned previously. I owned two fretless basses before I purchased my Thumb SC and I sold them both on eBay within months of it arriving.
The tone of the bass is absolutely beautiful and the build quality and the quality of the wood are second to none. The body is made from Swamp Ash with a one inch Bubinga Pommele top. The neck is Flamed Maple and the fingerboard is Tigerstripe Ebony, which is a very hard wood, so even round wound strings won’t chew up the fingerboard.
It features full line inlays on the fretboard which is a custom shop option. All Warwick’s custom shop basses have their own page on their website. You can see mine by clicking on this link.
Why Fret Lines?
In my opinion, all fretless bass guitars should come with fret lines. I’ve never met anyone who has perfect intonation without them. Really no one, and I’ve met many of the worlds best bassists. So, choosing not to have lines is just macho nonsense, there is no benefit to not having the lines. Jaco Pastorius had fret lines on his bass.
I’ve heard many people say, “double bass players don’t need lines on their fingerboards”. I know, and it’s not relevant because bass guitar necks are nothing like double bass necks. There are much more notes in a smaller space on a bass guitar neck which makes them almost impossible to hit accurately at high speed without markers. Also, double bass necks start narrow and get wider, so it’s much easier to feel where you are on the neck than it is on bass guitar.
The Warwick Thumb SC is quite simply the best fretless bass I’ve ever played. In fact it’s the best bass I’ve ever played and that includes Fodera’s. It’s not cheap, but you get what you pay for. Don’t forget, if you want to go fretless, get the full line inlays.
Arun Maheswaran with Johnny Cox Mixing Jazz and Carnatic Music
In this video, Carnatic musician Arun Maheswaran is playing Mridangam and jazz musician Johnny Cox is playing his fretless Warwick Thumb SC 6-string bass guitar. Carnatic music is South Indian classical music. We’re playing a composition called Chasing Shadows by Anoushka Shankar.
Can You Mix Jazz and Carnatic Music?
Arun Maheswaran thinks you can. Arun studied Mridangam under his guru Shri K Anandandesan from the age of 10. In addition to performing and teaching the Mridangam, Arun also played the Ghatam and Udu Utar.
Recently Arun invited me to join his band Cosmic Rhythms. Which beautifully mixes Carnatic and jazz music. So, we took some time at a rehearsal to shoot this video together.
It’s been quite an education for me learning about Carnatic music. I’ve had to learn Korvai’s. A Korvai is a rhythmic phrase repeated three times in unison, each time the sub-divisions get smaller giving the impression of getting faster. Therefore, the Thalam or rhythmic structure doesn’t change. Also, Korvai’s are usually played at the end of solos or the final end of a piece.
A Koraipu is a call and response section, and as the Koraipu continues the phrases get shorter. Koraipu literally means reducing.
Why a fretless bass
The fretless bass is essential for combining Jazz and Carnatic music. The ability to bend pitches and slide between notes is essential to the phrasing in both jazz and Carnatic music. I’ve posted plenty of times about my fretless Warwick Thumb SC. I honestly believe that there isn’t a better fretless bass on the planet.
Using a Roland GR-55 Guitar Synth with a Bass
I always wanted to experiment with synth sounds on my bass. When the Roland GR-55 came out and the GK-3B divided pickup for 6-string bass. I knew I had to try it out.
This video is actually an effort from very early on in my Roland GR-55 use. However, when I listen to it now I really like it, and it’s proved popular on Youtube with nearly 20,000 views. That’s a lot for an instrumental bass video. All the sounds in the video apart from drums are made using the bass played through the Roland GR-55. I programmed the drums in Protools. You can make drum sounds with the bass and the Roland GR-55, but that doesn’t interest me so I didn’t.
For a long time I’ve wanted to try out playing my bass through a Roland guitar synth. And having looked at the Roland GR-55 I was convinced that the technology was good enough. So, I installed a Roland GK-3B divided MIDI pickup onto my new Warwick “Steve Bailey” Artist Series bass a few weeks ago and bought the GR-55. Here’s a video of what I’ve come up with so far, hopefully there will be plenty more from me using this in the near future. So far I’m extremely impressed with the potential of the GR-55 and I love the Warwick as well.
I hope you like my compositions and I hope you have as much fun watching this as I had making it!
7-string bass demo
This is my 7-string bass. It says Mazeti on the headstock, which doesn’t mean a lot to me. I don’t really know anything about who made it, but it seems to be custom made.
How I came to own a 7-string bass
I bought it very cheaply on eBay more than 10 years ago, and I wasn’t expecting a lot given what I paid for it. Every other 7-string bass on eBay at that time was a lot more expensive. Surprisingly, what I got was not only a nice sounding and very playable instrument, but also one that has stood the test of time. It’s still going strong and sounding great today even though it spends most of the time in my loft now.
Why did I want to sell it?
At the time I shot the video I was in the process of selling all of my non Warwick basses. I’ve always played Warwick’s as my first choice but I had basses made by Fender, Steinberger and Gibson and I also had another custom made 7-string bass which I sold, it was fretless.
The 7-string bass you see in the video was the only bass that didn’t sell on eBay. So I decided to make the video to help give it a push. I did receive a few enquiries, but nothing that tempted me to sell. I couldn’t seem to convince people that it was a decent bass and I wasn’t that desperate for the money.
Is it still for sale?
No. I’ve since decided not to sell the 7-string bass. It’s worth more to me, than the relatively small amount of money I’d get for selling it. I haven’t taken the video down because people keep telling me how much they like the video, I never intended for the video to be particularly entertaining, I just wanted to show that it was a decent bass. But, obviously people like it so I’ve left it on Youtube.
Johnny Cox and Siemy Di – Robertinho
This video was shot way back in 2012 by my good friend Remigiusz Sowa of Chouette Films. It features myself and another good friend, master drummer and percussionist Siemy Di. The video was shot live in Siemy’s studio.
Siemy Di and I have worked together since 2006 and we have a fantastic musical relationship. We were introduced when I was in my early twenties by a mentor, Lucky Ranku, leader of the African Jazz All-stars.
In the video I’m using my 6-string Warwick Thumb BO and I’m playing it through a loop pedal. The piece is dedicated to a friend of Siemy Di’s. It’s based on the Brazilian Partido Alto rhythm and the melody was written by Siemy.
Around the time this was filmed, Siemy Di and I were performing live regularly around East London at venues such as The Servant Jazz Quarters, The Vortex, Open The Gate and The Passing Clouds. The gigs were almost entirely improvised and we deliberately did very little preparation for each gig. Some performances were better than others but it was always great fun to play with a great musician like Siemy. This video captures a little taste of what those performances were like. Not perfect but always interesting.
Siemy Di and I are still close friends but we don’t do those gigs anymore. We both have young children now, so spending our evenings at jazz clubs is out of the question these days. Maybe one day in the future we’ll do something similar, although I imagine it will be quite different. This video captures a moment in time that was an important time for both musicians.
Check out Siemy Di’s Drumeo video here. I recorded all the bass and guitar parts for both the first and last pieces.
This is my new Warwick Alien Deluxe. I’m very impressed with it for a number of reasons. It’s my first 6-string acoustic bass and my biggest concern was that the bottom B-string would be weak. I’ve played 5-string acoustics before and none of them have had such a clear and powerful low B-string as the Warwick Alien Deluxe.
How does it sound?
I’ve tried to demonstrate in the video that the Warwick Alien Deluxe has a very clear sound across it’s entire range. From the clear low B-string all the way up to soloing above the 12th fret. It has a very clear and pleasant acoustic sound.
How good is the build quality?
Very good. Surprisingly good in fact. All of Warwick’s acoustic basses are now made in China. Even the more expensive Warwick ALIEN. The Warwick Alien Deluxe 6 features all of the standard Warwick hardware including Warwick Machine heads and Just-a-Nut III. It also features Fishman electronics including a piezo pickup and a Fishman Prefix Plus T Electronic preamp.
However, the most important thing about the build quality, and the thing that makes Warwick instruments stand out in general is the quality of the woods used. The Warwick Alien Deluxe 6 boasts a mahogany neck, a wenge fingerboard, a laminated spruce top and, as you can see in the video, beautiful back and sides made of laminated Bubinga. It’s the quality of the look of these materials and the tones that they produce that really makes you feel like you’re playing a high quality professional instrument.
The Warwick Alien Deluxe 6 is an outstanding, high quality professional acoustic bass guitar. It is fairly expensive, but not considering the build quality of the instrument and the quality of the materials used.
If you are looking for a high quality, great looking acoustic bass with a clear sound across a wide range from low B-string and playable above the 12th fret then the Warwick Alien Deluxe 6 is the instrument for You.
In the video, I play the Warwick Alien Deluxe 6 through my Warwick Hellborg rig. The Hellborg Preamp is quite simply the best preamp for bass on the market and I use it for virtually all my recording. It’s so good that I use it when recording other instruments and vocals as well.