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It’s Here! My Book is Published! Improve Your Groove

March 24, 2018 jccoxjazzbass

Electric Bass – Improve Your Groove: The Essential Guide to Mastering Time and Feel on Bass Guitar

Get Improve Your Groove here, https://geni.us/bassgroove
3D Cover Image Improve Your Groove
Electric Bass – Improve Your Groove

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Previous PostElectric Bass – Improve Your Groove, Out Now!Next PostEverything You Need to Know About Harmony on Bass Guitar

Video

  1. Bass Guitar Exercise – Sus Chord Triad Arpeggios – Bass Practice Diary – 13th July 2021

    Last week I was demonstrating a line played by Rick Beato. He uses a lot of sus chord arpeggios and chord voicings in his playing. It’s a really popular idea among improvising musicians and I can see why. The sus chord arpeggios create a really distinctive sound and they are incredibly versatile. You can use them over all kinds of different harmonies and chord voicings. And you can find five different sus arpeggios hidden within a major scale. So, you can create improvised lines by sequencing different sus arpeggios together.

    What’s a sus chord?

    A sus chord is a chord with no third. The third is usually replaced by either a fourth or a second. So a sus chord triad goes either root, 2nd 5th (sus2) or root, 4th, 5th (sus4). As I mentioned in the video, a sus2 triad is an inversion of a sus4 triad. So, for example Gsus4/C is Csus2. So you can think of sus2 arpeggio shapes as being the same as sus4 arpeggio shapes. The only difference is which note you think of as the root note.

    The absence of the major or minor 3rd makes it ambiguous as to whether the chords are functioning as major or minor. And that ambiguity makes them very versatile. When you play these arpeggios you get a lot of perfect 4th and 5th intervals. That means that you can create modern sounding jazz lines in the style of quartal harmony.

    The exercise that I’ve come up with is quite advanced because it uses some big stretches. There are easier ways to play sus arpeggios. But I think this exercise is good because it really gets you moving around the fretboard. That’s a big advantage when it comes to improvising melodic lines. Here is the exercise.

    Sus Chord Triad Arpeggios Exercise for Bass Guitar
    Sus Chord Triad Arpeggios Exercise for Bass Guitar

    Bass Guitar Exercise – Sus Chord Triad Arpeggios – Bass Practice Diary 165

    July 13, 2021 jccoxjazzbass
  2. Rick Beato Modal Jazz Line Arranged for 6-String Bass – Bass Practice Diary – 6th July 2021

    If you don’t already follow Rick Beato then you should check him out. He has one of the biggest serious music channels on YouTube with over 2 million followers. He’s a music teacher, multi instrumentalist and producer who teaches everything from music theory to ear training to improvisation to production techniques and much more. He has recently released a series of guitar lessons called Quick Lessons Pro in which he breaks down a number of brilliant melodic and harmonic ideas. I’ve been looking at some of these this week and here is a line from the very first lesson which I’ve arranged onto 6-string bass.

    Csus Mixolydian Modal Line

    The line is essentially based around Csus chord voicings and the mode in question is Mixolydian. The chords that I’m playing in the video are all diatonic to that mode. The progression is C7sus – C7sus/D – Bbadd9 – Gm11 – Csus – Cadd9.

    Rick’s melodic and harmonic approach is absolutely beautiful, and you can hear the melody in this even played down two octaves. I’ve tabbed this in the positions I played it. Although the phrasing markings reflect how he wrote it more than how I played it. Some of my hammer-ons and slides are in different places to where he played them on guitar.

    Csus Mixolydian Modal Jazz Line by Rick Beato Arranged for 6-String Bass
    Csus Mixolydian Modal Jazz Line by Rick Beato Arranged for 6-String Bass

    I’ve played the line two octaves below where Rick plays it on the guitar. I initially played it one octave lower, but I just enjoyed playing it more in the lower octave. It just felt like it fitted the range of the bass better. There is a challenge to recording a line like this in such a low register. Which is that when people listen to my videos on phone and laptop speakers, the speakers can’t cope with the low end. In order to mitigate that problem, I’ve eq’d out a lot of the low end. So it doesn’t quite have the impact that it had when I was playing it, but at least you can hear the notes on the low strings.

    A Rick Beato Line on Bass Guitar – Bass Practice Diary 164

    July 6, 2021 jccoxjazzbass
  3. Helix with Bass – How Useful is a Line 6 Helix for Bass Guitar Players?

    I originally bought my Line 6 Helix LT primarily to use with guitar. Although the fact that it is designed to be used with both guitar and bass was a big selling point for me. If you’re not familiar with the Helix products, they are essentially digital amp modelling and multi effects units.

    You can set the unit up like a pedalboard. It has eight foot pedal switches for turning effects on and off. And many of the effects in the Helix are modelled on famous guitar and bass effects pedals. For example you can use a digitally modelled version of a Boss CE-1 chorus pedal or an MXR Phase 90. There are many preset patches already installed in the product when you buy it. Most are for guitar but there are plenty for bass. And you can also make your own patches. Or buy patches from other musicians online and install them into your Helix.

    What are the patches I used?

    The patches in the video are a mixture of preset patches, 3rd party patches and one that I created myself. Although I have tweaked all of them a little bit to suit my own playing. I’ve marked on the video the patches that are presets. There’s one called Boots Bass, which is clearly designed to sound like Bootsy Collins. Generally I would prefer to mix the sound of this preset with the clean sound of my bass. But for the sake of this demo, you are just hearing the sound of the preset patch.

    The other preset is called Tuck n’Go, which features a model of the Ampeg B15. It’s a classic amp from the 60’s, played by bass legends such as James Jamerson, John Paul Jones and Jack Bruce among many others. The patch includes both a compressor and a drive pedal that you can control with two of the foot switches. Of the two demos I did of this patch, one has the drive switched on and the other doesn’t. Both have the compressor on.

    Of the other three patches in the video, two were 3rd party patches that I bought from other musicians. The synth bass patch came from an American bass player called Chad Carouthers and the heavily reverbed patch came from the guitarist Johnathan Cordy. The final patch featured in the video was one I made myself from scratch.

    Line 6 Helix with Bass Guitar

    June 29, 2021 jccoxjazzbass
  4. 6-String Bass Jam in 6/8 – Johnny Cox & Lewis Davies – Bass Practice Diary – 15th June 2021

    I’ve been thinking about 6/8 this week after I featured four 6/8 bass grooves in last week’s Bass Practice Diary video. My good friend Lewis Davies kindly recorded this 6/8 drum track for me and I’ve been jamming along with it with my Warwick “Steve Bailey” Artist Series bass. I’ve also been experimenting with my Line 6 Helix LT. You can hear some of the sounds I’ve been using in this video.

    The Helix Patches

    There are two Helix patches featured in this video. One is on the chords. It’s another Johnathan Cordy patch. Johnathan Cordy makes and sells Helix patches for guitar. I featured one of his patches a couple of weeks ago when I was trying to make my bass sound like a guitar. This patch is a little bit more subtle but I think it works really nicely with bass chords.

    The other patch is one that I created myself. I haven’t made many of my own Helix patches. But I wanted something that could create a Kurt Rosenwinkel sound for my bass. I don’t think that anyone has created something like that yet, so I was forced to do it myself, and I’m quite happy with the result.

    Kurt Rosenwinkel is a great guitarist and improviser with a very distinctive guitar sound. It’s a very compressed sound with the pick attack removed from the start of each note. The effect is created by some kind of volume swell going straight into a compressor. So the compressor evens out the sound of the swell, so you hear the note coming in almost instantly but without the initial transient when you hit the string. The sound also has added reverb and delay to enhance the effect.

    6-String Bass Jam in 6/8 – Johnny Cox & Lewis Davies – Bass Practice Diary 162

    June 15, 2021 jccoxjazzbass
More videos →

Gallery

  1. Johnny Cox Warwick Thumb Bass

    This gallery contains 11 photos.

    Johnny Cox – Bass Photo Gallery

    February 7, 2014 jccoxjazzbass
More galleries →

Creative Bass Playing Blog

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  • Play Bass Grooves in 9/8 Time Signature
  • Learn to Play Triplet Rhythms on Straight 16th Note Bass Grooves
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  • Use Intervals of a 4th To Create a Modern Jazz Sound
  • Learn to Play Quartal Chord Voicings on Bass Guitar
  • How to Use the Diminished Scale in Jazz
  • Diatonic 7th Arpeggios in C major
  • Extended Arpeggios on 6-String Bass
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  • 8th and 16th Note Bass Lines – Part 2 – Sixteenth Note Bass Grooves
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  • Playing Chords – Part 1
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  • Playing Chords – Part 3
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