Tag Archives: Two Hand Tappping

Tapping Jazz Lines – Can You Play Jazz Solos With Two-Hand Tapping? – Bass Practice Diary – 8th December 2020

I’ve witnessed a couple of musicians in the UK playing improvised jazz solos with a two-hand tapping technique. However, I’ve never heard anyone talk about this idea. It seems to me that there is an obvious advantage to using two-hand tapping to play jazz lines. The advantage is that you can easily make big interval jumps in your lines. That is quite hard to do with a conventional playing technique. For a long time, I’ve wanted to explore the idea myself. So, when one of my advanced bass students brought up the subject of tapping in a lesson, I jumped at the opportunity to work through some ideas with him.

How I arranged the lines

We started by coming up with a jazz line on a II-V-I in Bb. This is a very typical exercise for learning to play jazz. The line we came up with was this.

We then tried to rearrange the line by moving some of the notes up one octave to be tapped with the right-hand. The remaining notes would be hammered-on by the left hand. This is the finished line.

We went through the same process again and came up with another line, which goes like this.

If you’d like to learn more about my two-hand tapping techniques, then check out my previous videos on the subject. This video looks at the basic two-hand tapping technique of hammering and pulling notes with both hands. This video looks at arranging chords and chord progressions with two-hand tapping.

This idea of using two-hand tapping to make jazz lines is still very new for me. I hope I will revisit this subject in the future when I’ve had more time to work on it. At the moment, I’m still at the very early stage of working out lines and practicing them. I hope that as time goes by, I will develop the ability to improvise lines in this way.

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Tapping Chords on Bass Guitar – Bass Practice Diary 133

Video November 10, 2020 jccoxjazzbass

Tapping Chords on Bass Guitar – Two-Hand Tapping Exercises – Part 2 – Bass Practice Diary – 10th November 2020

Last week was part one in my series of two-hand tapping exercises for bass guitar. I was looking at the basic technique of coordinating hammer ons and pull offs between both right and left hand. This week, I’m looking at tapping chords by hammering on notes simultaneously with both right and left hand.

Tapping Seventh Chords

These ideas should work on pretty much any bass guitar. I’ve used a 4-string bass in the video to demonstrate that you can make full sounding chord voicings on just 4-strings. My bass has 24 frets, but I’ve deliberately not gone above the 20th fret, so you can play everything in the video on a Fender style bass with 20 frets.

I’m playing 7th chords (major 7, minor 7 & dominant 7). These are four note chords, root, 3rd, 5th and 7th. The concept of this exercise is that I’m going to tap the root and 5th with my left hand and the 3rd and 7th with my right hand. The left hand notes are played on the 3rd and 4th strings and the right hand notes on the 1st and 2nd.

An Exercise to Develop Your Tapping Technique

Before you start, I would recommend practicing tapping four finger exercises with both hands. Something like this.

Two Hand Tapping - Four Finger Exercise — Two Hand Tapping – Four Finger Exercise

When I’m practicing exercises like this, my goal is not to play the exercise fast. My goal is to make good sounding notes and to get an even sound across four fingers and four strings. As I mentioned in the video, I never use my little finger on the right hand to tap notes when I’m playing music, but I still practice it. Why? Because maybe I’ll develop a technique that uses my little finger one day. Only practice the 3rd and 4th fingers on your right hand if you want to. For the purposes of this exercise, all you need are two fingers on your right hand.

Playing Chord Progressions

I’ve used a II-V-I progression in the video because it’s the most commonly used chord sequence in jazz. You can use any progression you want and any rhythm or style. But whatever you play, I would start by making a bassline out of the root and 5ths. Like this.

Tapping Chords - II-V-I Bassline — Tapping Chords – II-V-I Bassline – Left Hand Exercise

This exercise should be played entirely with the left hand and all of the notes are hammered on. The left hand notes are your bassline, they are the foundation of the groove. So, it’s worth practicing this until you get the feel where you want it.

When you have the feel, you can add the 3rds and 7ths with your right hand. These right hand notes should be played simultaneously. Not one after the other like the left hand notes. The right hand notes can be played simultaneously with the root note played by your left hand. This involves simultaneously hammering three different notes on three strings. You can see I’ve done this with the F7 chord. The F is hammered by the left hand while the A and Eb are hammered on by the right hand. Alternatively, you can hammer the right hand notes in between the left hand notes. You can see I’ve done this with the Cm7 and Bbmaj7 chords. Here is the II-V-I exercise.