chromatic jazz lines

Passion Dance by McCoy Tyner on fretless 6-string bass – Bass Practice Diary 99

Passion Dance by McCoy Tyner on fretless 6-string bass – Bass Practice Diary – 10th March 2020

One of the most memorable musical moments in my life was seeing McCoy Tyner play live at the Jazz Cafe in London in 2003. I was 19 years old and I had recently got very into the John Coltrane Quartet. My parents had given me A Love Supreme on CD as a 19th birthday present. The thought that I was going to watch the pianist from that album play live, was almost too exciting!

I arrived when the doors opened (about 3 hours before the gig started) to get myself a position with the best view. I literally sat about a metre from McCoy Tyner’s right hand as he played an absolutely burning set with his trio, which at that time included the unbelievably talented Charnett Moffett on bass and Eric Harland on drums. It’s a memory I will never forget. At that point in my life I had never heard music played with that level of intensity by a small acoustic jazz band.

I’ve heard many musicians imitate McCoy Tyner’s style over the years. But I’ve never heard anyone who could do it like him. I saw him live many more times after that, always in concert halls rather than jazz clubs. I even met him on one occasion. But it’s that first gig in a jazz club in London that will always stick in my memory as one of my happiest musical memories. It was one of the first times that I’d seen “the real thing” up close and it had a huge impact on me.

It was with great sadness that I heard about McCoy Tyner’s passing this week at the age of 81. He was a truly unique musician, and his influence on modern jazz is enourmous.

Quartal Harmony

McCoy Tyner is best known for the sound of quartal harmony. That’s when you arrange chord voicings in fourth intervals. It’s a very distinctive sound, and instantly recognisable in modern jazz. Passion Dance uses that quartal sound, and is a great example of McCoy Tyner’s signature sound. My rendition certainly doesn’t capture the intensity with which McCoy Tyner used to play it. But I wanted to put my own tribute out for a great musician who influenced me massively.